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Kurt Vonnegut

A man without a country

At the start of A man without a country Kurt Vonnegut explains how as a child in a large family he took to humour as a way of getting himself heard. I thought to myself 'Well that explains a lot'. For I have to say I have never got on with his work, and it seems to me to be constantly saying 'look at me, aren't I strange'. The book starts off OK, with details of Vonnegut's life - but it doesn't last, and really the best recommendation I can give for this book is that it's fairly short, and would serve as a taster, to see how you felt about Vonnegut's writing.

Vonnegut is often said to be Mark Twain's literary successor. I'm not convinced myself, but even if this is the case, then, well I've still got plenty of the original Mark Twain's work to read.

Towards the end of the book he seems to lapse into fairly uniform criticism of the USA, and at one points explains how he advises a new mother that the best she can do for her child is emigrate. In a way I prefer those Americans who are convinced that everyone else in the world wants to go and live there - at least I can laugh at them.

Amazon.com info

Hardcover 192 pages
ISBN: 158322713X
Salesrank: 142234
Weight:0.7 lbs

Published: 2005 Seven Stories Press

Amazon price $14.11

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Amazon.co.uk info

Hardcover 160 pages
ISBN: 0747584060
Salesrank: 296822
Weight:0.79 lbs

Published: 2006 Bloomsbury Publishing PLC

Marketplace:New from £0.59:Used from £1.00

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Amazon.ca info

Hardcover 192 pages
ISBN: 158322713X
Salesrank: 32356
Weight:0.7 lbs

Published: 2005 Seven Stories Press

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Marketplace:New from CDN$ 11.95:Used from CDN$ 5.76

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Product Description
A Man Without a Country is Kurt Vonnegut’s hilarious and razor-sharp look at life (“If I die—God forbid—I would like to go to heaven to ask somebody in charge up there, ‘Hey, what was the good news and what was the bad news?’”), art (“To practice any art, no matter how well or badly, is a way to make your soul grow. So do it.”), politics (“I asked former Yankees pitcher Jim Bouton what he thought of our great victory over Iraq and he said, ‘Mohammed Ali versus Mr. Rogers.’”), and the condition of the soul of America today (“What has happened to us?”). Gleaned from short essays and speeches composed over the last five years and plentifully illustrated with artwork by the author throughout, A Man Without a Country gives us Vonnegut both speaking out with indignation and writing tenderly to his fellow Americans, sometimes joking, at other times hopeless, always searching. Kurt Vonnegut is among the very few grandmasters of contemporary American letters, without whom the very term “American literature” would mean less than it does. His novels include Cat’s Cradle and Slaughterhouse Five, among so many others. Projects with Seven Stories Press in recent years include God Bless You, Dr. Kevorkian and, with Lee Stringer, Like Shaking Hands with God, a book about writing. His most recent novel is Timequake (1997). In addition to his writing, Vonnegut is a visual artist of note. His paintings and prints can be seen at www.vonnegut.com. He lives with his wife, photographer Jill Krementz, in New York City. Daniel Simon is the founder and publisher of Seven Stories Press and served as editor on two previous books by Kurt Vonnegut, God Bless You, Dr. Kevorkian and, with Lee Stringer, Like Shaking Hands God. Simon is also co-author of a biography of Abbie Hoffman, Run, Run, Run: The Lives of Abbie Hoffman.

Product Description

A Man Without a Country is Kurt Vonnegut’s hilarious and razor-sharp look at life (“If I die—God forbid—I would like to go to heaven to ask somebody in charge up there, ‘Hey, what was the good news and what was the bad news?’”), art (“To practice any art, no matter how well or badly, is a way to make your soul grow. So do it.”), politics (“I asked former Yankees pitcher Jim Bouton what he thought of our great victory over Iraq and he said, ‘Mohammed Ali versus Mr. Rogers.’”), and the condition of the soul of America today (“What has happened to us?”). Gleaned from short essays and speeches composed over the last five years and plentifully illustrated with artwork by the author throughout, A Man Without a Country gives us Vonnegut both speaking out with indignation and writing tenderly to his fellow Americans, sometimes joking, at other times hopeless, always searching.

Kurt Vonnegut is among the very few grandmasters of contemporary American letters, without whom the very term “American literature” would mean less than it does. His novels include Cat’s Cradle and Slaughterhouse Five, among so many others. Projects with Seven Stories Press in recent years include God Bless You, Dr. Kevorkian and, with Lee Stringer, Like Shaking Hands with God, a book about writing. His most recent novel is Timequake (1997). In addition to his writing, Vonnegut is a visual artist of note. His paintings and prints can be seen at www.vonnegut.com. He lives with his wife, photographer Jill Krementz, in New York City.

Daniel Simon is the founder and publisher of Seven Stories Press and served as editor on two previous books by Kurt Vonnegut, God Bless You, Dr. Kevorkian and, with Lee Stringer, Like Shaking Hands God. Simon is also co-author of a biography of Abbie Hoffman, Run, Run, Run: The Lives of Abbie Hoffman.

Great Coda to a Brilliant Career ****
A Man without a Country, Kurt Vonnegut's last book published in his lifetime, is a miscellaneous non-fiction collection similar to prior ones like Wampeters, Foma & Granfalloons, Palm Sunday, and Fates Worse Than Death. It is very good on this front, comparable in quality to those excellent works and thus a must for fans; those who especially like Vonnegut's non-fiction or are interested in his life and thought will be particularly keen. Neophytes should of course start with his best-known novels, but anyone who likes Vonnegut should stop here eventually. This is certainly not Vonnegut's most ambitious collection. With only fourteen short pieces, several of which are reprinted from In These Times magazine, and numerous drawings over less than 150 pages, it can easily be read in an hour or two. However, almost everything Vonnegut wrote is of great literary value and considerable sociopolitical interest, and this is no exception. The book got much attention before and at release for its comments on contemporary events like the Bush administration and the War on Terror, and it is indeed highly notable in this way. As always, Vonnegut has great insight into life and humanity, and he turns his acerbic wit loose on the horrors facing twentieth-century America much as he had done with other pressing concerns throughout his life. He had much to say and says it well; his intelligent liberal humanism was and is a refreshing change from the dumbed-down clichés dominating political discourse. He makes the liberal case far more articulately and palatably than most - so well, in fact, that he not only gets attention but may well change some minds. His classic writing style - admirably concise and extremely clear - and trademark black humor go far here. All this makes A Man necessary for liberals, a nice antidote to the innumerable conservative hacks littering bookstores with ghost-written, error-laden rags. This drove up sales and got Vonnegut well-deserved attention near his life's end but was also exaggerated, as most of the book does not deal with such things. Strong as these sections are, the lack of dominance is somewhat fortunate in that they have already dated the book to a degree. Many of the issues are of course still very relevant, but the situation has changed enough that they are already a little outdated and will only grow more so. They will of course be of historical interest some day but now basically seem like old news. Not so the rest of the book, which focuses on lifelong Vonnegut concerns like creative writing, technology's dangers, humanism, and religion. Along the way he deals with a variety of historical events and personages, all of them interesting and some of them revealing. The subjects are not new, but Vonnegut's atypical views and near-unmatched storytelling skills make his treatments very readable; I long ago concluded that even his grocery list would be worth reading, and these certainly are. His writing is as strong as ever, as entertaining and funny as it is thought-provoking and emotional. Vonnegut's trademark is mixing ridiculous and sublime, often in close proximity; he may make a crude joke in one sentence and have a profound insight in the next - or even in the same. It may even be that one depends on the other. This is his singular genius, letting him appeal at once to readers of all sorts. Anyone who has read Vonnegut will be familiar with these strengths, but A Man is particularly notable for a profoundly personal feel. This is partly because much of it is autobiographical; we learn a good deal about Vonnegut's life and thought, both recent and old. Startlingly open, he not only reveals very personal stories but is also very upfront about his misanthropic views - though of course not without humor. He had done this before to varying extents, but A Man goes even further, achieving an intimacy seen in very few books. It does not seem like a literary work by a famous author so much as a personal letter from a warm-hearted but clear-eyed old man; we almost feel we are sitting in front of a fire with Vonnegut as he tells anecdotes. In other words, it is like listening to most people's older relatives - but interesting. One of the best chapters in fact shows letters Vonnegut got from his many fans along plus his answers. Unlike nearly all celebrities, Vonnegut was always open with fans, personally answering letters and even calls; indeed, his phone number and address were publicly listed! This says much about the man, as does the chapter, which is a true treasure. It is often said that Vonnegut was the Mark Twain of his times, which he would have been the first to say is about the highest compliment possible. With his death America lost not only one of its greatest writers but one of its greatest people - a great artist and a patriot in the truest sense who was never afraid to say what he thought even when he knew it was unpopular. A Man is the final authorized testament from this great American and a worthy coda to a career already full of brilliant work - a must own for this fact alone as well as inherent merit.

Great Coda to a Brilliant Career ****

A Man without a Country, Kurt Vonnegut's last book published in his lifetime, is a miscellaneous non-fiction collection similar to prior ones like Wampeters, Foma & Granfalloons, Palm Sunday, and Fates Worse Than Death. It is very good on this front, comparable in quality to those excellent works and thus a must for fans; those who especially like Vonnegut's non-fiction or are interested in his life and thought will be particularly keen. Neophytes should of course start with his best-known novels, but anyone who likes Vonnegut should stop here eventually.

This is certainly not Vonnegut's most ambitious collection. With only fourteen short pieces, several of which are reprinted from In These Times magazine, and numerous drawings over less than 150 pages, it can easily be read in an hour or two. However, almost everything Vonnegut wrote is of great literary value and considerable sociopolitical interest, and this is no exception. The book got much attention before and at release for its comments on contemporary events like the Bush administration and the War on Terror, and it is indeed highly notable in this way. As always, Vonnegut has great insight into life and humanity, and he turns his acerbic wit loose on the horrors facing twentieth-century America much as he had done with other pressing concerns throughout his life. He had much to say and says it well; his intelligent liberal humanism was and is a refreshing change from the dumbed-down clichés dominating political discourse. He makes the liberal case far more articulately and palatably than most - so well, in fact, that he not only gets attention but may well change some minds. His classic writing style - admirably concise and extremely clear - and trademark black humor go far here. All this makes A Man necessary for liberals, a nice antidote to the innumerable conservative hacks littering bookstores with ghost-written, error-laden rags.

This drove up sales and got Vonnegut well-deserved attention near his life's end but was also exaggerated, as most of the book does not deal with such things. Strong as these sections are, the lack of dominance is somewhat fortunate in that they have already dated the book to a degree. Many of the issues are of course still very relevant, but the situation has changed enough that they are already a little outdated and will only grow more so. They will of course be of historical interest some day but now basically seem like old news.

Not so the rest of the book, which focuses on lifelong Vonnegut concerns like creative writing, technology's dangers, humanism, and religion. Along the way he deals with a variety of historical events and personages, all of them interesting and some of them revealing. The subjects are not new, but Vonnegut's atypical views and near-unmatched storytelling skills make his treatments very readable; I long ago concluded that even his grocery list would be worth reading, and these certainly are. His writing is as strong as ever, as entertaining and funny as it is thought-provoking and emotional. Vonnegut's trademark is mixing ridiculous and sublime, often in close proximity; he may make a crude joke in one sentence and have a profound insight in the next - or even in the same. It may even be that one depends on the other. This is his singular genius, letting him appeal at once to readers of all sorts.

Anyone who has read Vonnegut will be familiar with these strengths, but A Man is particularly notable for a profoundly personal feel. This is partly because much of it is autobiographical; we learn a good deal about Vonnegut's life and thought, both recent and old. Startlingly open, he not only reveals very personal stories but is also very upfront about his misanthropic views - though of course not without humor. He had done this before to varying extents, but A Man goes even further, achieving an intimacy seen in very few books. It does not seem like a literary work by a famous author so much as a personal letter from a warm-hearted but clear-eyed old man; we almost feel we are sitting in front of a fire with Vonnegut as he tells anecdotes. In other words, it is like listening to most people's older relatives - but interesting. One of the best chapters in fact shows letters Vonnegut got from his many fans along plus his answers. Unlike nearly all celebrities, Vonnegut was always open with fans, personally answering letters and even calls; indeed, his phone number and address were publicly listed! This says much about the man, as does the chapter, which is a true treasure.

It is often said that Vonnegut was the Mark Twain of his times, which he would have been the first to say is about the highest compliment possible. With his death America lost not only one of its greatest writers but one of its greatest people - a great artist and a patriot in the truest sense who was never afraid to say what he thought even when he knew it was unpopular. A Man is the final authorized testament from this great American and a worthy coda to a career already full of brilliant work - a must own for this fact alone as well as inherent merit.

A dying man's last words *****
If you are 'paying attention' and you feel that all you have lived your life fighting for is under attack you will enjoy KV's articulate expression of your observations. If you have been a KV fan and want to see directly into his mind without the abstract expression of his youth, this is your book. I felt sad as I read the book because it was quite clear he knew he was dying. I enjoyed this book because clearly he was a man who had lived his life by his principles. If you are mid aged and have been through a nasty divoce and want to take a beautiful KV trip into abstraction, try Blue Beard, my favorite.

A dying man's last words *****

If you are 'paying attention' and you feel that all you have lived your life fighting for is under attack you will enjoy KV's articulate expression of your observations. If you have been a KV fan and want to see directly into his mind without the abstract expression of his youth, this is your book. I felt sad as I read the book because it was quite clear he knew he was dying. I enjoyed this book because clearly he was a man who had lived his life by his principles. If you are mid aged and have been through a nasty divoce and want to take a beautiful KV trip into abstraction, try Blue Beard, my favorite.

Kurt is in heaven now. ****
I read this 'memoir' in less than three hours during a Saturday night. One can hardly call it an autobiography because the tidbits of information we get from Kurt's writing is, as usual, not very insightful towards the person's life but more towards the thoughts and humorist outlook Kurt has on the world around him. He writes these words at the age of 82, two years before he would meet his end from irreversible brain injury when he fell in his NYC home. His brain finally played a joke on him, and I'm sure he's been laughing in heaven since then. He'd get a kick out of that last statement, I'm sure. He certainly tells us tidbits of information that are perhaps more valuable than anything else that can be gleaned from so called 'professionals'. He is the stone in the shoes of conservatism, the loud fly buzzing in the ears of idealism. He weaves many quotes from his previous novels, and ones in the works, into his writing. Not a surprise, since the writing of many is the composite of the author. His theories are sound, truthful, and without hesitation. One must have a taste for humorist satire to be able to read his thoughts and smile. I wish he could have seen 2012 and to see what he would have to say about our planned demise. I'm sure he would mention something about it being planned all along. We know what we do to our world and now it is too late. Our gasoline junkie selves cannot tear away. He reminds us of this with a pleasant smile and a thumbs up. It is a shame that the world has taken him from us, but a blessing that we were able to keep him for so long.

Kurt is in heaven now. ****

I read this 'memoir' in less than three hours during a Saturday night. One can hardly call it an autobiography because the tidbits of information we get from Kurt's writing is, as usual, not very insightful towards the person's life but more towards the thoughts and humorist outlook Kurt has on the world around him. He writes these words at the age of 82, two years before he would meet his end from irreversible brain injury when he fell in his NYC home. His brain finally played a joke on him, and I'm sure he's been laughing in heaven since then. He'd get a kick out of that last statement, I'm sure.

He certainly tells us tidbits of information that are perhaps more valuable than anything else that can be gleaned from so called 'professionals'. He is the stone in the shoes of conservatism, the loud fly buzzing in the ears of idealism. He weaves many quotes from his previous novels, and ones in the works, into his writing. Not a surprise, since the writing of many is the composite of the author.

His theories are sound, truthful, and without hesitation. One must have a taste for humorist satire to be able to read his thoughts and smile. I wish he could have seen 2012 and to see what he would have to say about our planned demise. I'm sure he would mention something about it being planned all along. We know what we do to our world and now it is too late. Our gasoline junkie selves cannot tear away. He reminds us of this with a pleasant smile and a thumbs up. It is a shame that the world has taken him from us, but a blessing that we were able to keep him for so long.

It was fascinating to hear the author's thoughts on a variety of subjects, including America, politics and life in general. *****
Kurt Vonnegut never wrote a memoir . . . so it turns out his last book, A MAN WITHOUT A COUNTRY, is perhaps the closest he ever got to writing one. I got to hear this relatively short collection of essays on CD . . . it was fascinating to hear the author's thoughts on a variety of subjects, including America, carts, politics and life in general. There were many tidbits that made me laugh; some even caused me to think . . . among those that caught my attention were the following: * Here is a lesson in creative writing. First rule: Do not use semicolons. They are transvestite hermaphrodites representing absolutely nothing. All they do is show you've been to college. * I think that novels that leave out technology misrepresent life as badly as Victorians misrepresented life by leaving out sex. * If you actually are an educated, thinking person, you will not be welcome in Washington, DC. * Do you think Arabs are dumb? They gave us our numbers. Try doing long division with Roman numerals. And then there's this one, my favorite: * If you want to really hurt your parents . . . the least you can do is go into the arts. I'm not kidding. The arts are not a way to make a living. They are a very human way of making life more bearable. Practicing an art, no matter how well or badly, is a way to make your soul grow, for heaven's sake. Sing in the shower. Dance to the radio. Tell stories. Write a poem to a friend, even a lousy poem. Do it as well as you possible can. You will get an enormous reward. You will have created something. Unfortunately, Vonnegut died before he was able to finish his next work, IF GOD WERE ALIVE TODAY--a novel about a comedian.

It was fascinating to hear the author's thoughts on a variety of subjects, including America, politics and life in general. *****

Kurt Vonnegut never wrote a memoir . . . so it turns out
his last book, A MAN WITHOUT A COUNTRY, is perhaps the
closest he ever got to writing one.

I got to hear this relatively short collection of essays on
CD . . . it was fascinating to hear the author's thoughts
on a variety of subjects, including America, carts, politics
and life in general.

There were many tidbits that made me laugh; some even
caused me to think . . . among those that caught my
attention were the following:

* Here is a lesson in creative writing. First rule: Do not use
semicolons. They are transvestite hermaphrodites representing
absolutely nothing. All they do is show you've been to college.

* I think that novels that leave out technology misrepresent life
as badly as Victorians misrepresented life by leaving out sex.

* If you actually are an educated, thinking person, you will not
be welcome in Washington, DC.

* Do you think Arabs are dumb? They gave us our numbers. Try doing
long division with Roman numerals.

And then there's this one, my favorite:

* If you want to really hurt your parents . . . the least you can do
is go into the arts. I'm not kidding. The arts are not a way to make
a living. They are a very human way of making life more bearable.
Practicing an art, no matter how well or badly, is a way to make
your soul grow, for heaven's sake. Sing in the shower. Dance
to the radio. Tell stories. Write a poem to a friend, even a lousy
poem. Do it as well as you possible can. You will get an enormous
reward. You will have created something.

Unfortunately, Vonnegut died before he was able to finish his next
work, IF GOD WERE ALIVE TODAY--a novel about a comedian.

A Cantankerous Octogenarian Comments on Contemporary Culture ****
My title more or less sums up the book. Kurt Vonnegut is a humorist and a writer, and he just shoots from the hip in this little book, one of the last ones he published before his death. You never know when he is being serious or when he is just (his words) farting around. But he has some sharp words of criticism for a country that will gladly spend billions of dollars on weapons of war, but won't do anything to insure that its own citizens have health care. He also bemoans the fact that technology has so far surpassed him that he can't even keep his typewriter going anymore. He also wears his socialism and his humanism proudly and says that it doesn't matter whether or not you believe in the divine sonship of Jesus because you can still be awestruck by the beauty and simplicity of his Sermon on the Mount. Because of these "outside the main" positions, Vonnegut feels like a man without a country, thus the title. It's a provocative read, and you could probably read the whole thing in less than two hours. He's an ornery old cuss, and you certainly won't subscribe to everything he says. But what he says is always interesting and entertaining.

A Cantankerous Octogenarian Comments on Contemporary Culture ****

My title more or less sums up the book. Kurt Vonnegut is a humorist and a writer, and he just shoots from the hip in this little book, one of the last ones he published before his death. You never know when he is being serious or when he is just (his words) farting around. But he has some sharp words of criticism for a country that will gladly spend billions of dollars on weapons of war, but won't do anything to insure that its own citizens have health care. He also bemoans the fact that technology has so far surpassed him that he can't even keep his typewriter going anymore. He also wears his socialism and his humanism proudly and says that it doesn't matter whether or not you believe in the divine sonship of Jesus because you can still be awestruck by the beauty and simplicity of his Sermon on the Mount.

Because of these "outside the main" positions, Vonnegut feels like a man without a country, thus the title. It's a provocative read, and you could probably read the whole thing in less than two hours. He's an ornery old cuss, and you certainly won't subscribe to everything he says. But what he says is always interesting and entertaining.

Too old to care how controversial he is. *****
I love this book, and I have immense respect for Mr.V. I've read most of his books. He has turned me on to lots of ideas, Humanism being the main one. In this round up of thoughts, he points out some very uncomfortable truths about the world we live in and our ignorance and he does this with frank bare-faced honesty, a man not long for this world he has so much to say to us, he has seen and been through so many things. He was in Dresden when the British bombed it, and the horror of it practically drove him mad, I believe his wife/mother drank Draino and killed herself, most of his friends are dead, he invented a religon and created Kigore Trout. When you read him, each sentence is loaded with thought and wit, he's like a full bodied wine. I look forward to his next book.

Too old to care how controversial he is. *****

I love this book, and I have immense respect for Mr.V. I've read most of his books. He has turned me on to lots of ideas, Humanism being the main one.

In this round up of thoughts, he points out some very uncomfortable truths about the world we live in and our ignorance and he does this with frank bare-faced honesty, a man not long for this world he has so much to say to us, he has seen and been through so many things. He was in Dresden when the British bombed it, and the horror of it practically drove him mad, I believe his wife/mother drank Draino and killed herself, most of his friends are dead, he invented a religon and created Kigore Trout. When you read him, each sentence is loaded with thought and wit, he's like a full bodied wine.

I look forward to his next book.

Money for old rope... ***
Vonnegut fans will find nothing new in this. Having said that, it's a funny, bright and quick read. If you're fan you will have bought it already, if not buy one of his novels first.

Money for old rope... ***

Vonnegut fans will find nothing new in this. Having said that, it's a funny, bright and quick read. If you're fan you will have bought it already, if not buy one of his novels first.

Still as sharp as ever ****
Great to see that Vonnegut is still as wise and as cutting as ever in this latest (hopefully not last...at 83 we still don't to lose him!) outing. Although some of the ground (and a few of the anecdotes) may be familiar to diehard fans, his razor wit and observation couple with this outrage at the evils of the world and you can't help but be uplifted. What a spirit, what a guy!

Still as sharp as ever ****

Great to see that Vonnegut is still as wise and as cutting as ever in this latest (hopefully not last...at 83 we still don't to lose him!) outing. Although some of the ground (and a few of the anecdotes) may be familiar to diehard fans, his razor wit and observation couple with this outrage at the evils of the world and you can't help but be uplifted. What a spirit, what a guy!

Vonnegut is a legend *****
if you haven't read vonnegut's novels then read them. all of them. now. (my personal fave is Breakfast of Champions). the man is a subversive genius with an astonishing imagination and a unique way with words. if you have read his novels, then you will no doubt be in love with this guy. if so, then this book is a must-read. simple as that. (p.s - anyone that doesn't like him must be either illiterate or a republican. so you might as well just ignore the bad reviews.)

Vonnegut is a legend *****

if you haven't read vonnegut's novels then read them. all of them. now. (my personal fave is Breakfast of Champions). the man is a subversive genius with an astonishing imagination and a unique way with words.

if you have read his novels, then you will no doubt be in love with this guy. if so, then this book is a must-read. simple as that.

(p.s - anyone that doesn't like him must be either illiterate or a republican. so you might as well just ignore the bad reviews.)

An interesting read... ****
I bought this from amazon's American site last year. It really is good, although as commented elsewhere, parts of it have appeared elsewhere, notably the In these Times website. It seems to me to be aimed at finding Vonnegut a new audience however, and for those who haven't read him before it's excellent stuff. Those who follow his works closely might want to hope that he finished the novel he says "won't be finished".

An interesting read... ****

I bought this from amazon's American site last year. It really is good, although as commented elsewhere, parts of it have appeared elsewhere, notably the In these Times website. It seems to me to be aimed at finding Vonnegut a new audience however, and for those who haven't read him before it's excellent stuff. Those who follow his works closely might want to hope that he finished the novel he says "won't be finished".

The guy can't write a bad book *****
Having read everything that Mr. V has ever written, I was salivating, waiting for this next foray into weird-land. I was not disappointed. Everything this man touches turns to gold, and his latest literary effort is no exception. If you want to ponder humanity, the human condition, and all that goes with it, then this will be your cup of tea. I bought this along with Jackson McCrae’s “Katzenjammer” and loved both books. You will too.

The guy can't write a bad book *****

Having read everything that Mr. V has ever written, I was salivating, waiting for this next foray into weird-land. I was not disappointed. Everything this man touches turns to gold, and his latest literary effort is no exception. If you want to ponder humanity, the human condition, and all that goes with it, then this will be your cup of tea. I bought this along with Jackson McCrae’s “Katzenjammer” and loved both books. You will too.